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Secondary

A feature by

Chad Rossouw

The Crumbling Edges: In Conversation with Virginia MacKenny

Masixole Feni Cape Town: A pool of water reflecting shack houses after a heavy rain over the Weekend, in Mfuleni Informal Settlement, 2015
A review by Nolan Stevens

Amplified Eye: Masixole Feni’s ‘Drain on our Dignity’

A review by Tymon Smith

Action/Reaction: John Murray’s ‘Aftermath’

A review by

Tim Leibbrandt

Resin and Wonder: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’

A student review by Jase Strauss

Student Review: ‘PEER’ at SMAC Gallery

William Kentridge, That Which We Do Not Remember 2017.
A student review by Artthrob

William Kentridge at Goodman Gallery

Michele Mathison Intrusion, 2017. Pallisandro marble
A review by Isabella Kuijers

The Movement of Stone: Michele Mathison’s ‘States of Emergence’

Maaike Bakker, The error message just keeps coming up
A review by Siya Masuku

Endless Possibilities: Maaike Bakker’s ‘Beyond the Vanishing Point’

A student review by Maggie du Toit

Student Review: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’

A story by Artthrob

Cape Town Art Fair 2018: Investec Announced as New Headline Sponsor

Guy Tillim Anton Lembede Street, Durban, 2016. Archival pigment ink on 180g cotton paper
A review by

Chad Rossouw

Tillim and the Demanding Gap: Guy Tillim’s ‘Museum of the Revolution’

Sethembile Msezane, Falling [Film Still], 2017. Single Channel Video, duration: 00:8:30
A student review by Sophie-Louise Fröhlich

Student Review: ‘A Continent Beyond’ at Gallery MOMO

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