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Sarah Biggs, Paradise, departing, 2016. Oil on paper, 77 x 62 cm
A review by Nicoletta Michaletos

Material Friction: Sarah Biggs’s ‘Waiting for Rain’

A review by Artthrob

‘Exhibition Histories and Afrofictions’ at Michaelis Galleries

A story by Artthrob

R.I.P. Gasworks & Triangle Network founder Robert Loder

Katleho Kano Shoro, BA TENG: YourSelves ECHO, 2017. Installation with poem, installation by Tristan Nebe
A review by Quanta Gauld

Curiosity and Connection: ‘Calibrating Wonder*’ at SMITH Studio

Beth Diane Armstrong, ‘in perpetuum’. Installation view: Grahamstown National Arts Festival
A review by Jean-Sylvain Tshilumba Mukendi

Overlaps and Organisms: Beth Diane Armstrong’s ‘in perpetuum’

A story by Artthrob

The Rhinos Are Coming | Call for submissions

A story by Artthrob

Andrew Kayser at Kalashnikovv Gallery

A story by Artthrob

Warhol Unscreened at WAM

Eric van Hove, Mahjouba, 2016. Photo: Alessio Mei. Courtesy the artist and VOICE Gallery, Marrakech
A story by Artthrob

1:54 London 2017 | Announcing the Galleries

A story by Artthrob

Bianca Baldi at the Schirn Kunsthalle Frankfurt

A story by Artthrob

Exhibition Openings at the AVA Gallery

A story by Artthrob

Call for applications | ROOM residencies

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Dan Halter, On Exactitude in Science. Woven archival prints on Ivory Enigma paper, 28 x 19 cm

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