• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Secondary

A feature by Claudia Marion Stemberger

Just Be: MADEYOULOOK at the 60th Venice Biennale 2024

A review by Margot Dower

Opening the Archive: Gavin Jantjes at Whitechapel Gallery

A review by Georgia Munnik

Echoes of the Past: Untold Intimacies in ‘Seasons of Longing’ Film

A review by Ashraf Jamal

Spirits on a Human Path: ‘Ecospheres’ at the Joburg Contemporary Art Foundation

A review by David Mann

Sentimental assemblages: Stephané Conradie’s ‘Wegwysers deur die Blinkuur’

A feature by Robert Hamblin

Art and Athleticism: A reflection on the Olympics

A review by Voni Baloyi

The People’s Painter: Esther Mahlangu’s ‘Then I Knew I Was Good at Painting’...'

A review by Margot Dower

Not Forever: Georgina Maxim’s ‘Telling Moments’ at Goodman Gallery

A review by Hamzeh Alfarahneh

The Essence of Home: Ahlam Shibli’s ‘Dissonant Belonging’ at Luma Westbau

A review by Keely Shinners

Perennial Bloomer: Hylton Nel’s ‘Things Made Over Time’ at Stevenson

A review by Tiyani Rikhotso

A Feast of Storytelling: Lady Skollie’s ‘GROOT GAT’ at Norval Foundation

A review by Julia Snowball

Alchemy of the Self: ‘Seekers, Seers, Soothsayers’ at Zeitz MOCAA

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

Buy

Great

Art