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A review by Georgia Munnik

No Archive Will Restore You: ‘Time goes bye’ at The Ramp

A review by Zada Hanmer

Unearthly Delights: Tatenda Magaisa’s ‘It wearies me; you say it wearies you’ at Johannesburg Art...'

A feature by Nkgopoleng Moloi

Tracing the Body’s Language: Movement in Igshaan Adams’s Practice

A review by Sumayya Menezes

Between Worlds and the Sea: A reflection on KZN artists at the RMB Latitudes Art Fair 2024

A review by Vusumzi Nkomo

Notes on Analogies: Peter Clarke and Robert Hodgins at Vela Projects

A review by Zada Hanmer

Of Love and Loss: ‘their closets, their caskets’ at Contra.Joburg

A review by Ellen Augustyn

Beyond Laughter: ‘Funny as in funny peculiar not funny haha’ at breakroom

A review by Zada Hanmer

Things Long Forgotten: Bettina Malcomess’ ‘Sentimental Agents’

A review by Ben Albertyn

The middle stretch: ‘Things take time, time takes things’ at POOL

A feature by Tazmé Pillay

Mythmaking: The Legacy of District Six’s Kewpie

A review by Ashraf Jamal

Mad World: The Art of Madame Zo

A review by Robert Hamblin

Foreigners Everywhere: A Diary from the 60th Venice Biennale

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Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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