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Secondary

A review by Keely Shinners

Lump in the bed: Gerda Scheepers’ ‘MOTHER BROTHER’

A review by Zada Hanmer

Interdisciplinary Methods: JCAF Journal and Robin Rhode’s ‘Pictures Reframed’

A feature by Georgia Munnik

Sensorial Communion: POOL’s ‘The Art of Bees and Gardens’

A review by Lauren Shantall

A Spotlight on Clay: Shaping Language with ‘Clay Formes’

A feature by Minna Dundas

A Spotlight on Clay: Navigating the noise with ‘Art Formes’

A review by Nkgopoleng Moloi

The Pain of Others: Alfredo Jaar’s ‘The Geometry of Solitude’

A feature by Nancy Dantas

Still Making Waves: The Casablanca Art School

A review by Nkhensani Mkhari

Unraveling Narratives: Laura Lima’s ‘How To Eat The Sun and The Moon’

A review by Keely Shinners

Encroaching on Eden: Spier Light Art 2024

A review by Julia Snowball

Language in Sculpture: Anna Van Der Ploeg’s ‘Shorter this time’

A review by Zada Hanmer

Commodified terror: ‘Fear Fokol’ at The Bag Factory

A review by Mario Pissarra

Finding a Way: Thami Jali’s ‘Mphendla Ndlela’ at KZNSA Gallery

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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