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Tertiary

A review by Scott Eric Williams

Anatomy of (Collective) Apathy: Blessing Ngobeni’s ‘Enemy of Foe’

A review by Lucienne Bestall

Pretty Vacant: ‘New Romantics’ at Barnard Gallery

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

El Anatsui, Horizon,, 2016. Installation View: Goodman Gallery, Johannesburg
A feature by Tymon Smith

Bringing it Home: Curator Bisi Silva on El Anatsui’s ‘Meyina’

A review by Tymon Smith

Action/Reaction: John Murray’s ‘Aftermath’

A review by

Tim Leibbrandt

Resin and Wonder: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’

Kapwani Kiwanga, The Sun Never Sets, 2017. HD video, 10 minutes
A review by Sipho Mdanda

In Search of Hidden Truths: Kapwani Kiwanga’s ‘The Sun Never Sets’

Kudzanai Chiurai, We Live in Silence XVIIII, 2017. Pigment ink on fibre paper, 130 x 173.5 cm
A review by Motlatsi Khosi

Waking From Dreams of Democracy: Kudzanai Chiurai’s ‘We Live in Silence’

Moshekwa Langa, Overseas II , 2017. Mixed media on paper, Right panel of diptych, 100 x 140 cm
A review by Percy Mabandu

Mining Memories for Meaning: Moshekwa Langa’s ‘Fugitive’

A review by Scott Eric Williams

Blue-collar Banter: Rory Emmett and Ronald Muchatuta at the AVA Gallery

Jaco van Schalkwyk, -arium, installation view: Barnard Gallery, 2017. Courtesy of Barnard Gallery
A feature by Natasha Norman

-arium: Interview with Jaco van Schalkwyk

Bronwyn Katz, Wasgoed draad, 2017. Salvaged wire and mattress lining, 133 x 183 x 18cm
A review by Nicoletta Michaletos

Ghost Stories: Bronwyn Katz’s ‘Grondskryf’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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