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Tertiary

A review by Misha Krynauw

Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’

A review by Cheriese Dilrajh

Making Art History: ‘IKHONO LASENATALI’ at KZNSA

A review by Ashraf Jamal

The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’

A feature by

Tim Leibbrandt

Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu

A review by Misha Krynauw

Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH

A review by Gemma Hart

Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’

A review by Ashraf Jamal

Consoling Pleasures: Stephané E. Conradie’s ‘Domestic Lives, Nomadic Belongings’

A review by M Thesen Law

Super Spectacle: Ed Young’s ‘HERO’

A review by Misha Krynauw

Unwavering Versatility: Thania Petersen’s ‘IQRA’

A review by

Tim Leibbrandt

Intrinsic Field: Wim Botha’s ‘Heliostat’

A review by Cheriese Dilrajh

Uncovering Hidden Narratives: ‘Proclamation 73’ at Durban Art Gallery

A review by Tymon Smith

Imagined Topographies: Gerhard Marx’s ‘Ecstatic Archive’

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Ashley Walters, Construction. Giclee print on cotton rag, 29.7 x 42 cm

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