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Sculpture

Mashup: Re-opening of Iwalewahaus, Bayreuth
A picture collection by Artthrob

Mashup

Dominique Edwards Untitled (2015), Video installation. Time looped
A review by

Tim Leibbrandt

With Pulp: Dominique Edwards’ ‘Buikspraak/Gutspeak’

Chris Burden, Ghost Ship, 2005
A story by

Chad Rossouw

Chris Burden Dies, Age 69

Forged. Installation view: SMAC Gallery
A review by Lloyd Pollak

The Forgery of Sculpture

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A feature by Matthew Blackman

The Memory of Things Present

Rowan Smith, Nothing Lasts Forever Cecil, 2014. Bronze, powder coated mild steel, tempered glass, swarm of bees, 208.5 x 92 x 74.6 cm (Case alone: 90 x 60 x 73.2 cm)
A picture collection by

Chad Rossouw

The Falling Monument

Removal of the UCT Cecil John Rhodes Statue, April 2015
A picture collection by

Matthew Blackman

Public Sculptures at UCT

A story by

Chad Rossouw

SAS Somerset

Mary Sibande, A Terrible Beauty is Born, 2013. Digital pigment print, 110 x 321.5 cm © Mary Sibande, courtesy of the artist and Gallery MOMO
A story by The Culture Trip & Tim Leibbrandt

10 Southern African Artworks Fusing Art and Science Fiction

Pierre Fouché, James (detail), 2015. Silk floss, wood, brass pins, 14.4 x 32.8 cm
A review by Anna Stielau

Wound Thread: Pierre Fouché’s lacemaking

Igshaan Adams Plate 10, from the series 'Neoscope', 2014. Found fabric, thread, brass-plated rail, 120 x 152 cm
A review by Lloyd Pollak

Faith and Ambiguity: Igshaan Adams’ ‘Parda’

Donna Kukama The Swing (after after Fragonard), 2009. Photographic documentation of a performance in Johannesburg. Image by Matthew Burbidge
A story by Hyperallergic

New Museum’s 2015 Triennial

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