The Stellenbosch Triennale is a non-commercial contemporary art showcase hosting … [Read more...] about Your Discomfort is my Comfort: The Stellenbosch Triennale
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The Lives of Fabric: The Stellenbosch Triennale
Situated behind the Woodmill Lifestyle Centre in Stellenbosch, the Stellenbosch … [Read more...] about The Lives of Fabric: The Stellenbosch Triennale
Mending the Many Me’s: Igshaan Adams’ ‘I am You’
Standing in front of a former warehouse, now host to the Stellenbosch Triennale, … [Read more...] about Mending the Many Me’s: Igshaan Adams’ ‘I am You’
Looking Back to See Forward: ‘From the Vault’ at the Stellenbosch Triennale
Two things confront me entering ‘From the Vault’: the strong red of the walls … [Read more...] about Looking Back to See Forward: ‘From the Vault’ at the Stellenbosch Triennale
Social Impact Arts Prize 2020: Awarded Projects Announced
Hello Wolk!, Tears Become Rain and PLANTed have been selected as the awarded … [Read more...] about Social Impact Arts Prize 2020: Awarded Projects Announced
Memory against forgetting: A tribute to Santu Mofokeng
Often what makes a great documentary photograph is when the photographer manages … [Read more...] about Memory against forgetting: A tribute to Santu Mofokeng
Good Feelings for What?: Dada Khanyisa’s ‘Good Feelings’
“And that project is something I consider obscene: the attempt to make the … [Read more...] about Good Feelings for What?: Dada Khanyisa’s ‘Good Feelings’
The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries
The UCT art collection was founded in 1920. In 2016, close to a century later, … [Read more...] about The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries
Metastasised Plastiglomerate: ‘Matereality’ at ISANG
A wall text – white against turquoise – reads: "Strictly speaking, the humans of … [Read more...] about Metastasised Plastiglomerate: ‘Matereality’ at ISANG
What Remains: Kevin Beasley’s ‘without a clear discernible image’
On a window seat, left in haphazard arrangement: a dried piece of kelp, a … [Read more...] about What Remains: Kevin Beasley’s ‘without a clear discernible image’
