The Bag Factory is seeking a new Director In 2020, the Bag Factory secured its … [Read more...] about News Roundup: 5 August 2022
Posts
Warm, soft, green: Zandile Tshabalala’s ‘Lovers In A Secret Place’
The smell of it hits us first. Warmth, then softness, then green. We’re yanked f … [Read more...] about Warm, soft, green: Zandile Tshabalala’s ‘Lovers In A Secret Place’
News Roundup: 29 July 2022
Motlhoki Nono wins the Ernest Cole Award The Ernest Cole Award was established … [Read more...] about News Roundup: 29 July 2022
Abstractions of home: ‘Home Strange Home’ at WITW X KRONE
When I was a child, we would draw the outline of a house on a piece of paper and … [Read more...] about Abstractions of home: ‘Home Strange Home’ at WITW X KRONE
Unsettling the surface: A speculative reading of El Anatsui’s ‘Freedom’
Something inhabits and moves underneath El Anatsui’s works; something t … [Read more...] about Unsettling the surface: A speculative reading of El Anatsui’s ‘Freedom’
Atemporal Wonders: David Koloane’s ‘A Quiet Stature’
It’s with a desire for time travel that I rush to David Koloane’s exhibition A Qu … [Read more...] about Atemporal Wonders: David Koloane’s ‘A Quiet Stature’
Elegant Inscrutability: Ronél De Jager’s ‘Still Here’
Ronél De Jager's solo show at Kalashnikovv spans two seemingly irreconcilable … [Read more...] about Elegant Inscrutability: Ronél De Jager’s ‘Still Here’
Notes on a Speculative Photo Album: Gabrielle Goliath’s ‘This song is for…’
“Frauenstreik,” Switzerland’s annual women’s march took place on 14 June 22, two … [Read more...] about Notes on a Speculative Photo Album: Gabrielle Goliath’s ‘This song is for…’
Partnership is life: PLAYCE, Shade and Brixton
The reclaimers (or bagerezi) collect, divide and select materials that find … [Read more...] about Partnership is life: PLAYCE, Shade and Brixton
Mediator of curiosity: Mawande Ka Zenzile’s ‘Nqanda nanga’manzi engene’ndlini’
At a cavernous eatery for carnivores in Johannesburg’s Parktown suburb, visual a … [Read more...] about Mediator of curiosity: Mawande Ka Zenzile’s ‘Nqanda nanga’manzi engene’ndlini’
