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Dineo Seshee Bopape

A feature by

Tim Leibbrandt

Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu

A story by Artthrob

Venice Biennale 2019: South Africa Pavilion Curatorial Statement

A news item by Artthrob

South Africa Announces Artists and Curators For Venice Biennale 2019

A review by Nkgopoleng Moloi

Resisting Categories: ‘Mating Birds Vol.2’ at KZNSA

A review by Kopano Maroga

You’ll always stay here in my heart: Dineo Seshee Bopape’s ‘Untitled (Of Occult Instability)...'

A story by ArtThrob Editors

20 Years of ArtThrob: Our Past Editors Reflect

2017 Standard Bank Young Artist for Performance Art, Dineo Seshee Bopape at the National Arts Festival, Grahamstown
A review by Jean-Sylvain Tshilumba Mukendi

Singing History: Dineo Seshee Bopape’s ‘Sa Koša Ke Lerole’

NGO - Nothing Gets Organised
A story by Artthrob

C& | NGO – Nothing Gets Organised

A story by Artthrob

Standard Bank Young Artist 2017 Award Winners Announced

Terence Nance, You and I and You, 2015. Single Channel video, Duration: 07 min 52 sec
A review by

Tim Leibbrandt

Both Uncanny and Marvellous: ‘Fantastic’ at Michaelis Galleries

No fixed Abode, 2014. Installation view: The New Church Museum
A review by Thea Ferreira

Student Review: No place like home

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

David Goldblatt, Three men rest at the side of the track between Bute Asbestos Mine and Heuningvlei in Northern Cape, 18 December 2002. Pigment inks on archival cotton rag, 42 x 51.5 cm

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