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Goodman Gallery

A news item by Artthrob

News Roundup: 25 November 2022

A feature by Lukho Witbooi

Self and Soul: An interview with Yinka Shonibare CBE RA

A review by Lumumba Mthembu

Journey from interiority: Cinthia Sifa Mulanga’s ‘In The Becoming’

A feature by Isabella Kuijers

Frieze is a lot: 2022 roundup

A review by Dinika Govender

Treading dark waters: Ravelle Pillay and Nicholas Hlobo

A news item by Artthrob

News Roundup: 7 October 2022

A news item by Artthrob

News Roundup: 16 September 2022

A review by Vusumzi Nkomo

Unsettling the surface: A speculative reading of El Anatsui’s ‘Freedom’

A review by Lukho Witbooi

Atemporal Wonders: David Koloane’s ‘A Quiet Stature’

A review by Sindi-Leigh McBride

Notes on a Speculative Photo Album: Gabrielle Goliath’s ‘This song is for…’

A feature by Misha Krynauw

Entangled within a world of others: an interview with Gabrielle Goliath

A review by Vusumzi Nkomo

Cartographic Entangle­ments: Nolan Oswald Dennis’s ‘conditions’

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