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Nkgopoleng Moloi

A feature by Artthrob

Best of 2024: Contributors’ picks

A feature by Ashraf Jamal

R-E-S-P-E-C-T: Reflections on the 2024 Investec Cape Town Art Fair

A review by Nkgopoleng Moloi

Building worlds: ‘Juxtapositions: David Goldblatt and Unathi Mkonto’

A review by Nkgopoleng Moloi

Time is an exaggeration: ‘The Future Is Behind Us’ at A4

A review by Nkgopoleng Moloi

Reparative sublation: Lungiswa Gqunta’s ‘Sleep in Witness’

A news item by Artthrob

News Roundup: 11 November 2022

A review by Nkgopoleng Moloi & Scott Eric Williams

Sound, light, movement: Warren Maroon’s ‘Reverence’

A news item by Artthrob

News Roundup: 26 August 2022

A story by Keely Shinners

Spotlight on FNB Art Joburg: Editor’s picks

A review by Nkgopoleng Moloi

Abstractions of home: ‘Home Strange Home’ at WITW X KRONE

A review by Nkgopoleng Moloi

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Lauren Palte, Untitled (after Rembrandt). Hand-print on fibre paper, 37.2 x 28.9 cm

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