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Norval Foundation

A review by Lukho Witbooi

Signposts to Personality: Sthenjwa Luthuli’s ‘Umkhangu/Birthmark’ at the Norval Foundation

A feature by Voni Baloyi

Where to go from here, there & everywhere: The 2025 Heat Festival

A review by Tiyani Rikhotso

A Feast of Storytelling: Lady Skollie’s ‘GROOT GAT’ at Norval Foundation

A news item by Artthrob

News Roundup: 20 January 2023

A news item by Artthrob

News Roundup: 4 November 2022

A review by Misha Krynauw

A collective humming: Kamyar Bineshtarigh’s ‘Uncover’

A news item by Artthrob

News Roundup: 16 September 2022

A news item by Artthrob

News Roundup: 26 August 2022

A review by Barbara Rousseaux & Sindi-Leigh McBride

Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 –...'

A review by Annabelle Wienand

Not the only Modernist in town: The Zanzibari Years: Irma Stern

A review by Nkgopoleng Moloi

Beauty and Prisons: ‘I have made a place’ at Norval Foundation

A review by Noah Swinney

Faces Without Features : Georgina Gratrix’s ‘The Reunion’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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