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Photography

A feature by Nolan Stevens

The Believers: Sabelo Mlangeni’s ‘Umlindelo wamaKholwa’

A review by Nolan Stevens

Hidden Soliloquys: Jabulani Dhlamini’s ‘iQhawekazi’

A story by Artthrob

Gerald Kraak Award | Call for Submissions

A student review by Jana Perold

Student Review: Roger Ballen’s ‘The House Project’

A student review by Linda Möller

Student Review: Giovanni Ozzola’s ‘adrift’

A review by

Chad Rossouw

Imaginary Arcs: Roger Palmer’s ‘Spoor’

A story by

Chad Rossouw

Changing Focus: the Art and Activism of Omar Badsha

A news item by

Chad Rossouw

Subotzky and Waterhouse’s Ponte City

Adam Broomberg & Oliver Chanarin, Haggai, 2013. King James Bible, Hahnemühle print, brass pins, Framed: 34.5 x 45.5 x 5 cm. Edition of 3
A review by Isabella Kuijers

The Gospel According To Broomberg And Chanarin

Kemang Wa Lehulere, falling event 2, 2014. Ink on paper, 70.5 x 100 cm © Copyright 2015, STEVENSON. All rights reserved.
A review by Tim Leibbrandt

Investigating Kemang Wa Lehulere

Pieter Hugo Annebelle Schreuders, 2012. From the series There's a Place in Hell for Me and My Friends. Archival pigment ink on warmtone baryta fibre paper
A story by Artsy

Artsy | Pieter Hugo

Centre for Visual Art Spacial Stories, Metropolitan State University, Denver, Colorado, USA
A story by Artthrob

Spatial Stories | Topographies of Change in Africa

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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