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Stevenson

Zanele Muholi 'Faces and Phases 10' (2016) | Installation view: Stevenson, Johannesburg
A review by Gontse Mathabathe

Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’

Wim Botha, Untitled, 2016. Ink on paper, 35 x 50cm
A review by Artthrob

Wim Botha at Stevenson

A picture collection by Artthrob

Art-Binge: Woodstock, September 2016

A picture collection by Artthrob

Art-Binge: Joburg, September 2016

Deborah Poyton, Lost and Found 2, 2016. Oil on canvas, 230 x 190cm
A review by Lloyd Pollak

Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’

(left) Zanele Muholi, Lerato Dumse, KwaThema, Springs, Johannesburg, 2010. (center) Zanele Muholi, Lerato Dumse, Parktown, Johannesburg, 2013. (right) Zanele Muholi, Lerato Dumse, Syracuse, New York Upstate, 2015.
A review by Artthrob

10 Years of ‘Faces and Phases’

Barthélémy Toguo, Strange Fruit III, 2016. Watercolour on paper, 113 x 100cm
A review by Gontse Mathabathe

Blood on the leaves and blood on the root: Barthélémy Toguo’s ‘Strange Fruit’

A student review by Daniel Rautenbach

Student Review: ‘The Quiet Violence of Dreams’

A feature by Artthrob

Spotlight on FNB Joburg Art Fair 2016

Evan Ifekoya Ebi Flo (We Are Family), 2016. Digital video. Duration 4 min 26 sec
A review by Brett Charles Seiler

Tributes and tributaries: ‘The Quiet Violence of Dreams’ at Stevenson

A review by George Mahashe

Making History: Kemang Wa Lehulere’s ‘The Knife Eats at Home’

A picture collection by Artthrob

Art-Binge: Joburg, July 2016

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