Igshaan Adams

A feature by ArtThrob Editors

Five Questions: Hamzeh Alfarahneh, curator of ‘By the Movement of All Things’

A review by Misha Krynauw

Sacred Threads: Igshaan Adams’ ‘Holy Terrain’ at blank projects

A feature by Nkgopoleng Moloi

Tracing the Body’s Language: Movement in Igshaan Adams’s Practice

A review by Keely Shinners

Return to the body: 35th São Paulo Bienal – choreographies of the impossible

A review by M Thesen Law

Process and practice: blank’s ‘IO’

A story by Artthrob

Heritage for the future: An Interview with Islamic Arts Biennale Artistic Director Sumayya Vally

A news item by Artthrob

News Roundup: 27 January 2023

A review by Sonya Solanki

Subverted structures: ‘Customs’ at A4

A feature by Keely Shinners

Cape Town Art Fair: An Editor’s Diary

A review by Nkgopoleng Moloi

Beauty and Prisons: ‘I have made a place’ at Norval Foundation

A review by Isabella Kuijers

Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery

A student review by Anke Geldenhuys

Mending the Many Me’s: Igshaan Adams’ ‘I am You’