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Chad Rossouw

A story by Artthrob

From Our Archive: Remembering Okwui Enwezor

A review by Nolan Stevens

Solace and Whispers: Simphiwe Buthelezi’s ‘Lala La’

A review by Sue Williamson

Back to The Future: ‘Still Here Tomorrow to High Five You Yesterday’ at Zeitz MOCAA

A review by Keely Shinners

Found rather than created: Marinella Senatore’s ‘Bodies in Alliance / Politics of the Street’

A review by Christa Dee

Prepossessing the Future: Zana Masombuka’s ‘Time’

A feature by Nolan Stevens

A Time For Art

A feature by Artthrob

Quality and Growth: In conversation with ICTAF’s Laura Vincenti

A review by Nkgopoleng Moloi

Resisting Categories: ‘Mating Birds Vol.2’ at KZNSA

A review by Isabella Kuijers

Everyday dissolution: Mia Chaplin’s ‘Mouth’

A review by Christa Dee

Green Expectations: Jody Paulsen’s ‘Water Me’

A feature by Chad Rossouw

Memory, metonym and optimism: in conversation with Alfredo Jaar

A review by Keely Shinners

What being looked at feels like: ‘About Face’ at Stevenson

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Hentie van der Merwe, Bijimer groups. Set of 4 Lambda prints, Each: 25 x 25 cm

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