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Chad Rossouw

A feature by Sue Williamson

Sue Williamson’s Diary: Blue days in Dakar, African videos in Washington and a party in Joburg

A news item by Artthrob

Invitation to Tender: Venice 2017

A feature by Khanya Mashabela

iQhiya: In Defense of Art Collectives

A feature by Chad Rossouw

Lessons in Conversation: An Interview with Katherine Bull

A story by Artthrob

The Art Market in Four Parts

A story by Artthrob

Robin Rhode’s 16 June Memorial

A review by Isabella Kuijers & Lloyd Pollak

Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’

A review by

Chad Rossouw

Interiors and Exteriors: ‘Home Truths’ at iSANG

A feature by Khanya Mashabela

Vertiginous Awe: Video Art and Internet Aesthetics

A student review by Linda Möller

Student Review: Sasha Hartslief’s ‘New Works’

A student review by Jana Perold

Student Review: Roger Ballen’s ‘The House Project’

A feature by Sue Williamson

Sue Williamson’s Diary: A US marathon with a side trip to Dakar

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Ashley Walters, Construction. Giclee print on cotton rag, 29.7 x 42 cm

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