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Chad Rossouw

A feature by Houghton Kinsman

Dematerialising the project space: JNR

A review by Themba Tsotsi

Producing Space: ‘Furniture’ at blank projects

A review by Nicola Kritzinger

Double Meanings: Svea Josephy’s ‘Satellite Cities’

Jonathan Hindson Walk on By , 2015. Mixed media on wood
A review by Lwandile Fikeni

Alienation, Home and Humanity: Jonathan Hindson’s ‘Home’

Ruby Amanze, that low hanging kind of sun, the one that lingers two feet above your head, (never dying) house plants in exchange for your freedom...orchids in exchange for your love, who are you kissing, when you kiss a mask? 2015. Photo transferrs, collage, ink, metallic pigment, graphite, colored pencils
A feature by Artthrob

Consuming Us: Q+A with Ruth Simbao and Azu Nwagbogu

A review by Mary Corrigall

The Conundrums of Confessions: Johann Van Der Schijff’s ‘I to I’

Willem Boshoff Reap the Whirlwind 2015. Wood and farmer's sickles. 187 x 373 x 7 cm
A review by Isabella Kuijers

Word Woes: Willem Boshoff’s ‘Reap the Whirlwind’

Diane Victor The parable of the selfie and the self-perpetuating problem, 2015. Charcoal, pastel and ash on paper 100 x 151cm
A review by Lwandile Fikeni

A brief study in white suburban fears: Diane Victor’s ‘One Pound of Flesh’

A feature by Sue Williamson

Sue Williamson’s Diary: People Power

A story by Artthrob

Penny Siopis wins Helgaard Steyn Award for Painting

A feature by Artthrob

Summery Exhibition Summary

A review by Sinazo Chiya

Don’t Stop, Play: @play at Everard Read

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Chad Rossouw, Cyclops. Giclee print on cotton rag, 40 x 40 cm

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