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keely

A feature by Barbara Rousseaux

Partnership is life: PLAYCE, Shade and Brixton

A feature by Setumo-Thebe Mohlomi

Mediator of curiosity: Mawande Ka Zenzile’s ‘Nqanda nanga’manzi engene’ndlini’

A review by Georgia Munnik

Monstrous Elasticity: Ruth Sacks’ ‘The Remaindering’

A review by Misha Krynauw

Rot and rebirth: ‘Spring Awakening’ at Southern Guild

A review by Dinika Govender

Material is the message: Nina Barnett & Jeremy Bolen’s ‘Weight in the Air’

A review by Lumumba Mthembu

Hybridity & the politics of the self: ‘Nguni – Kwelakithi’ at KZNSA

A review by Annabelle Wienand

Speculative fiction and speaking in signs: Mack Magagane’s ‘Ellipse’

A news item by Artthrob

Marilyn Martin, former director of the South African National Gallery, passes

A review by Isabella Kuijers

Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4

A review by Barbara Rousseaux & Sindi-Leigh McBride

Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 –...'

A feature by Misha Krynauw

Moments before meaning: A conversation with Lerato Shadi

A review by Sean O'Toole

Raw materials make magic: Bella Knemeyer and Unathi Mkonto

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Candice Breitz, Ex Libris South Africa. Cibachrome photograph, 24 x 60 cm

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