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keely

A review by Nkhensani Mkhari

Otherscapes: A Meditation on South Africa’s Past, Present and Future

A review by Ben Albertyn

Tripping at the National Arts Festival

A feature by Marie-Louise Rouget

Don’t I know you from somewhere?: SA artists in Amsterdam

A review by Vusumzi Nkomo

On the Structure(s) of Abstraction: Mongezi Ncaphayi’s ‘Standard of Language’

A review by Ntokozo Dladla

Lines of sight: Thato Toeba’s ‘Phate lia Lekana’

A feature by Artthrob

All that carries us: A Q&A with Zanele Muholi

A feature by Setumo-Thebe Mohlomi

Novelty index: RMB Latitudes Art Fair

A review by Ben Albertyn

Convivial Tools: Khanya Mashabela’s ‘Common’

A review by Kim M Reynolds

Story and symbol: Faith Ringgold and Hank Willis Thomas’ ‘Freedom is Going Home’

A review by M Thesen Law

Process and practice: blank’s ‘IO’

A review by Nkgopoleng Moloi

Building worlds: ‘Juxtapositions: David Goldblatt and Unathi Mkonto’

A review by Ben Albertyn

Tell it slant: Kasia Stefańczyk and Johno Mellish at THK

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Dan Halter, On Exactitude in Science. Woven archival prints on Ivory Enigma paper, 28 x 19 cm

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