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keely

A feature by Thuli Gamedze

The System Turn in Joburg Contemporary Art: Part II

A review by Ben Albertyn

The Thick of Things: Archive of Forgetfulness

A review by Misha Krynauw

A home of heavens: Shakil Solanki’s ‘The Pearl Fishers, Reprised’

A feature by Dinika Govender

Art as a rite of passage: ‘Portable Paradise’ at LAPA

A feature by Keely Shinners

In praise of studio visits: FEDE’s ‘Open Studio’

A feature by Sean O'Toole

We are here now: South African artists make their mark in Chicago

A feature by Ruth Sacks

Archive Dive: Ruth Sacks on the Trienal de Luanda

A feature by James Webb

Archive Dive: James Webb on Mira Calix

A story by Keely Shinners

Editor’s Letter: 25 Years of Art Writing in South Africa

A review by Ben Albertyn

The Other’s Dress: Joël Andrianomearisoa’s ‘My Heart Belongs To The Other’

A feature by Thuli Gamedze

The System Turn in Joburg Contemporary Art: Part I

A review by Ben Albertyn

I have lived everywhere, mostly on ships: Penny Siopis’ ‘Never The Same Water Twice: Nine Films...'

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Design by Blackman Rossouw

Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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