Encroaching on Eden: Spier Light Art 2024
Language in Sculpture: Anna Van Der Ploeg’s ‘Shorter this time’
Commodified terror: ‘Fear Fokol’ at The Bag Factory
Finding a Way: Thami Jali’s ‘Mphendla Ndlela’ at KZNSA Gallery
Unearthing Layers: Chris Soal’s ‘Surface Tension’
Class is in Session: Knowledge Dissemination in Mawande Ka Zenzile’s ‘uZenzile akakhalelwa…’
Capturing Essence: Marlene Dumas’ ‘Portrait of Elisabeth Eybers’ at the Wits Art Museum
Refuge: A Tapestry of Contradictions and Convergence at the 2024 Lagos Biennial
R-E-S-P-E-C-T: Reflections on the 2024 Investec Cape Town Art Fair
Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’
Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’
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