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Tim Leibbrandt

A review by Vusumzi Nkomo

Portals to the Source: Pitika Ntuli’s ‘Azibuyele Emasisweni’

A review by Barnabas Ticha Muvhuti

Coded Inscriptions: Blessing Ngobeni’s ‘Chaotic Pleasure’

A feature by Ashraf Jamal

Four Crucibles: On Jane Alexander, Willem Boshoff, Ed Young, and Jake Michael Singer

A review by Misha Krynauw

Dialogues in Waiting: ‘KWAAI Vol.3’ at Eclectica Contemporary

A feature by Cheriese Dilrajh

Radical Entropy: On Nolan Oswald Dennis, Tabita Rezaire, and Bogosi Sekhukhuni

A review by Ashraf Jamal

Spin Cycle: ‘Wild Wild Life’ at Glen Carlou

A review by Vusumzi Nkomo

Ontological Recuperation: ‘Authenticité’ at Goodman Gallery

A review by Misha Krynauw

A Room with Many Views: ‘A Golden Spike’ at Goodman

A feature by Ashraf Jamal

One and Four Beds: Tshabangu, Walters, Gqunta, Katz, and Mellish

A story by Artthrob

Music to Social Distance to: Nomusa Makhubu

A feature by Vusumzi Nkomo

The Fantastic Trio: Simphiwe Ndzube, Nicholas Hlobo, and Pamela Phatsimo Sunstrum

A feature by Lucienne Bestall

The Wrong Window: Reflections on Empty Images

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Dan Halter, On Exactitude in Science. Woven archival prints on Ivory Enigma paper, 28 x 19 cm

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