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Feature

Monique Pelser
A feature by Vincent Bezuidenhout

In Conversation with Monique Pelser

A feature by Sue Williamson

Sue Williamson’s Diary: Fireflies in a time of Greek crisis

Willem Boshoff, Racist in South Africa, 2011. Anodised aluminium panel. 120 x 120 x 0.3 cm
A feature by

Tim Leibbrandt

Text Type Thing: Form and Content in Willem Boshoff’s Political Text Pieces

Zwelethu Mthethwa (from the Sugar Cane series), 2007. Chromogenic print
A feature by

Chad Rossouw

It’s Time To Talk About Value

A feature by

Chad Rossouw

The Kids Are Doing OK: Brand, Mogale and Nxumalo

Deborah Bell, Return of The Gods: The Ancient Ones I–V,2013 - 2015. Bronze, edition of 6. installation size variable. Installation sound by Philip Miller
A feature by

Tim Leibbrandt

Deborah Bell: ‘I don’t know if I summoned these figures or if they summoned me’

A feature by Sue Williamson

Sue Williamson’s Diary: Doing Venice

Mawande Ka Zenzile, Untitled (Memory), 2015. Cow dung, earth, gesso and oil on canvas, 91 x 150 cm © Copyright 2015, STEVENSON. All rights reserved.
A feature by Nkule Mabaso

The Art of the Possible: Mawande Ka Zenzile

A feature by Sue Williamson

Sue Williamson’s diary: In the heart of the country

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A feature by Matthew Blackman

The Memory of Things Present

Burning Museum, Burning Bridges series. Strand street (beneath the N2 flyover, Woodstock) Image from the Van Kalker archive
A feature by Tim Leibbrandt

The Agonistic Politics of Burning Museum

A feature by Sue Williamson

Sue Williamson’s Diary: Venice and The World

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