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A review by Dinika Govender

Treading dark waters: Ravelle Pillay and Nicholas Hlobo

A news item by Artthrob

News Roundup: 7 October 2022

A review by Misha Krynauw

A collective humming: Kamyar Bineshtarigh’s ‘Uncover’

A review by Sihle Motsa

Haunting space of blue: Ruth Ige’s ‘Freedom’s Recurring Dream’

A news item by Artthrob

News Roundup: 30 September 2022

A review by Fadzai Muchemwa

Violence and longing: Is Ons Nog ‘n Ding? at Lizamore & Associates

A review by Lukho Witbooi

Soul centre: Patrick Bongoy’s ‘Unseen Dimensions of the Known’

A news item by Artthrob

News Roundup: 23 September 2022

A feature by Barbara Rousseaux

Against waiting, for repairing: MADEYOULOOK and Keleketla! Library at documenta fifteen

A feature by Thuli Gamedze

Sit down, be lumbung: Notes on documenta

A news item by Artthrob

News Roundup: 16 September 2022

A feature by Keely Shinners

FNB Art Joburg: An Editor’s Diary

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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