Primary

A review by Noah Swinney

Faces Without Features : Georgina Gratrix’s ‘The Reunion’

A review by Nkgopoleng Moloi

Movable Archives: Serge Alain Nitegeka’s ‘Lost and Found’

A review by Misha Krynauw

Solidity and Malleability: Rory Emmett’s ‘HEWN’

A review by Fadzai Muchemwa

Memory in Purgatory: Neville Starling’s ‘Worlds are Made and Unmade’

A review by Lucienne Bestall

Accumulations: Zander Blom’s ‘Garage-ism’

A feature by Ashraf Jamal

Grace of Abstraction: On Mia Thom, Chris Soal, Jennifer Morrison, and Mark Rautenbach

A review by Catherine Rudolph

Capitalist Poetics: ‘The Spectacle’ at THEFOURTH

A review by Keely Shinners

An enclosure and an opening: Jeanne Gaigher’s ‘tango’

A review by Nikita Keogotsitse

Elastic Beings: Simphiwe Ndzube’s ‘The Fantastic Ride to Gwadana’

A review by Barnabas Ticha Muvhuti

Rendering the Unseeable: on Pardon Mapondera

A review by Vusumzi Nkomo

The Time of Waiting: Senzeni Marasela’s ‘Waiting for Gebane’

A feature by Misha Krynauw

Colouring Skin: On Tizta Berhanu, Thembinkosi Goniwe, and Dada Khanyisa