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A story by Sue Williamson

Zeitz MOCAA: The Way Forward

A review by Courtney Drysdale

Uncanny Nostalgia: Igshaan Adams’ ‘When Dust Settles’

A review by Philiswa Lila

Partly here: Nourhan Maayouf’s ‘The Sea is Closed: Shallow Waters’

A feature by Lloyd Pollak

The Paradox of Max Wolpe

A review by Nolan Stevens

Hidden Soliloquys: Jabulani Dhlamini’s ‘iQhawekazi’

A review by Lucienne Bestall

Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun

A news item by Matthew Blackman

Zeitz MOCAA Inquiry: Coetzee Attempted to Stop Disciplinary Action

A news item by Artthrob

David Goldblatt 1930-2018

A review by Tymon Smith

Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’

A review by Ashraf Jamal

Masterful Visceral: Lungiswa Gqunta’s ‘Qwitha’

A review by Monique Pelser

Complicit Abstraction: Penny Siopis’ ‘This is a true story’

A review by Misha Krynauw

Connection in the Age of Connectivity: Dada Khanyisa’s ‘Bamb’iphone’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

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