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Paolo Woods & Gabriele Galimberti, A man floats in the 57th-floor swimming pool of the Marina Bay Sands Hotel, with the skyline of the Singapore financial district behind him, 2013.
A review by

Tim Leibbrandt

Floating Critique: ‘1% Privilege in a Time of Global Inequality’ at Chavonnes Battery Museum

A story by Artthrob

A Letter to Iziko Regarding ‘Our Lady’

Athi-Patra Ruga invitation...presentation...induction, 2013. Wool and thread on tapestry canvas
A review by Isabella Kuijers & Lloyd Pollak

Work, work, work: ‘Women’s Work’ at ISANG

Nicholas Hlobo, Sewing Saw, 2016. Installation view and detail from performance: Stevenson, Cape Town
A review by Anna Stielau

Enigmatic Yarn: Nicholas Hlobo’s ‘Sewing Saw’

A feature by Valeria Geselev

The Exhibition that Missed its Audience: The Day Helen Sebidi Didn’t Meet the Students

A news item by Artthrob

A Letter to Iziko SANG and The New Church Museum

Okwui Enwezor and Artur Walther at the Performa gala
A feature by Sue Williamson

Sue Williamson’s Diary: An interview with Okwui

Lina Iris Viktor Constellations III, 2016. Pure 24K Gold, Acrylic, Gouache, Print on Matte Canvas
A review by Gontse Mathabathe

Students of this black culture: ‘Black Portraiture[s]’ Conference

H!JACK, Alien Inhabitant, 2015.
A story by Brett Charles Seiler

‘Material City’: Brett Charles Seiler chats to Sandile Radebe

Cosmo Whyte Untitled, 2016. Charcoal and Gold Leaf
A review by Amie Soudien

To Support the Substance: ‘Selling the Shadow’ at MOMO

A feature by

Chad Rossouw

Dialogue and value

Joël Mpah Dooh, Since We Last Met, 2016. Installation View: Gallery MOMO, Johannesburg
A review by Tymon Smith

Time Waits for No One: Joël Mpah Dooh’s ‘Since We Last Met’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Clive van den Berg, Cyber Erotics, 2009. A two colour lithographic print on BFK Rives, 66 x 52 cm

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