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Lina Iris Viktor Constellations III, 2016. Pure 24K Gold, Acrylic, Gouache, Print on Matte Canvas
A review by Gontse Mathabathe

Students of this black culture: ‘Black Portraiture[s]’ Conference

H!JACK, Alien Inhabitant, 2015.
A story by Brett Charles Seiler

‘Material City’: Brett Charles Seiler chats to Sandile Radebe

Cosmo Whyte Untitled, 2016. Charcoal and Gold Leaf
A review by Amie Soudien

To Support the Substance: ‘Selling the Shadow’ at MOMO

A feature by

Chad Rossouw

Dialogue and value

Joël Mpah Dooh, Since We Last Met, 2016. Installation View: Gallery MOMO, Johannesburg
A review by Tymon Smith

Time Waits for No One: Joël Mpah Dooh’s ‘Since We Last Met’

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update No.11

A review by Felix Kawitzky

Kiss Kiss (or, The Void Vores Back): Frances Goodman’s ‘Degreened’

A story by Artthrob

Goodman Gallery Turns 50

A story by Artthrob

Archive Dive: Goodman at 50

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update No.10

Simphiwe Ndzube, Inevitable Journey to Mars I, 2016. Acrylic paint on perspex print, 120 x 240 cm
A review by Nkule Mabaso

Perched at the edge of Precarity: Simphiwe Ndzube’s ‘Becoming’

A review by Isabella Kuijers

Polysemic Seas: ‘Liminal Geographies’ at Barnard Gallery

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