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Kyle Morland, assemble, 2016. Installation view: blank projects, Cape Town
A feature by

Tim Leibbrandt

Departures and Unlearning: In conversation with Kyle Morland

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update: No.7

A feature by Sue Williamson

Sue Williamson’s Diary: An interview with Camille Morineau

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update: No.6

A review by Siobhan Keam

In Context: Frieze London and 1:54

A feature by

Tim Leibbrandt

Open Dialog Box: ArtThrob chats to Claire May van Blerck

Lungiswa Gqunta, Divider, 2016. Mixed media installation (knotted fabric, and beer bottles), approx. 210 x 700 x 340cm
A feature by Houghton Kinsman

Playing with fire: Conversations with Lungiswa Gqunta

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update: No.5

Thomas Cartwright We Got Nothing Much To Lose, 2016. Oil on Board
A review by Isabella Kuijers

Fading Light: ‘Nocturne’ at Everard Read

Zanele Muholi 'Faces and Phases 10' (2016) | Installation view: Stevenson, Johannesburg
A review by Gontse Mathabathe

Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update: No.4

The Brother Moves On / Hlabelela: It’s a New Mourning Nkush / 2016 | Installation view: Goodman Gallery, Johannesburg
A review by Lwandile Fikeni

The Spectacle of Poverty: The Brother Moves On at Goodman Gallery

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