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SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update: No.5

Thomas Cartwright We Got Nothing Much To Lose, 2016. Oil on Board
A review by Isabella Kuijers

Fading Light: ‘Nocturne’ at Everard Read

Zanele Muholi 'Faces and Phases 10' (2016) | Installation view: Stevenson, Johannesburg
A review by Gontse Mathabathe

Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update: No.4

The Brother Moves On / Hlabelela: It’s a New Mourning Nkush / 2016 | Installation view: Goodman Gallery, Johannesburg
A review by Lwandile Fikeni

The Spectacle of Poverty: The Brother Moves On at Goodman Gallery

Igshaan Adams, Oorskot ,2016. Installation view: blank projects, Cape Town
A review by Anna Stielau

Stranger Things: Igshaan Adams’ ‘Oorskot’

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm
A news item by Claire May van Blerck

Donation by ArtThrob to ILAM with every Siemon Allen print sold!

A feature by Keely Shinners

Owning History: In Conversation with Jody Brand

Mary Sibande, Right Now!, 2016. Digital pigment print
A review by Lwandile Fikeni

The spring show and the end of history

Shirin Neshat, From Roja Series, 2016. Silver gelatin print
A review by Nicola Kritzinger

Entwined Narratives: Shirin Neshat’s ‘Dreamers’

Lady Skollie ‘The Only Reason’ mural (2015) | Installation view: STEVENSON Gallery, Cape Town.
A feature by Keely Shinners

Run The World: In Conversation with Lady Skollie

Deborah Poyton, Lost and Found 2, 2016. Oil on canvas, 230 x 190cm
A review by Lloyd Pollak

Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’

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Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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