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A review by Felix Kawitzky

Dead Men, New Paintings: Zander Blom’s ‘New Paintings’

Michael Linders Inkomazi, 2016. Ink on paper
A review by Themba Tsotsi

The Exile of Local Icons: Michael Linders’ ‘Exile’

Meleko Mokgosi Comrades I, 2015. Two panels, oil on canvas; bleach on portrait linen.
A review by Sinazo Chiya

A Comradeship of Stillness: Meleko Mokgosi’s ‘Comrades’

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial Update: No.2

A feature by Lwandile Fikeni

A conversation with Roger Ballen: The Repressive Nature of Society

A feature by Sue Williamson

Sue Williamson’s Diary: Window over a lost district

A review by Dave Mann

The absence of knowledge through the excess of media: Alfredo Jaar’s ‘Amilcar, Frantz, Patrice and...'

A review by Tim Leibbrandt

Reverberating Sounds of Things to Come: James Webb’s ‘Ecstatic Interference’

Georgina Gratrix, 'Puppy Love' installation shot
A review by Lloyd Pollak

The Queen of Titivation and Prink: Georgina Gratrix’s ‘Puppy Love’

A feature by Felix Kawitzky

“Wouldn’t it be great if Žižek were sponsored by Monster?” ArtThrob interviews Cameron Platter

A feature by Isabella Kuijers

History in a Different Form: An Interview With Sue Williamson

Image from CTAF Facebook Page
A feature by Artthrob

Spotlight on Cape Town Art Fair 2016

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Ashley Walters, Construction. Giclee print on cotton rag, 29.7 x 42 cm

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