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A feature by

Chad Rossouw

The Map is Not The Territory

A review by Kira Kemper

A Deeply Personal and Political Journey: Minnette Vári’s ‘Of Darkness and of Light’

A feature by Houghton Kinsman

Dematerialising the project space: JNR

A review by Themba Tsotsi

Producing Space: ‘Furniture’ at blank projects

A review by Nicola Kritzinger

Double Meanings: Svea Josephy’s ‘Satellite Cities’

Jonathan Hindson Walk on By , 2015. Mixed media on wood
A review by Lwandile Fikeni

Alienation, Home and Humanity: Jonathan Hindson’s ‘Home’

Ruby Amanze, that low hanging kind of sun, the one that lingers two feet above your head, (never dying) house plants in exchange for your freedom...orchids in exchange for your love, who are you kissing, when you kiss a mask? 2015. Photo transferrs, collage, ink, metallic pigment, graphite, colored pencils
A feature by Artthrob

Consuming Us: Q+A with Ruth Simbao and Azu Nwagbogu

A review by Thuli Gamedze

Giving Renewed Attention to Old Voices? ’50/50′ at the New Church Museum

A review by Tymon Smith

An important departure for a real conversation: Zanele Muholi’s ‘Somnyama Ngonyama’

A news item by Artthrob

Henri Matisse at Standard Bank Gallery in 2016

A review by Mary Corrigall

The Conundrums of Confessions: Johann Van Der Schijff’s ‘I to I’

Willem Boshoff Reap the Whirlwind 2015. Wood and farmer's sickles. 187 x 373 x 7 cm
A review by Isabella Kuijers

Word Woes: Willem Boshoff’s ‘Reap the Whirlwind’

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Design by Blackman Rossouw

Chad Rossouw, Cyclops. Giclee print on cotton rag, 40 x 40 cm

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