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Diane Victor The parable of the selfie and the self-perpetuating problem, 2015. Charcoal, pastel and ash on paper 100 x 151cm
A review by Lwandile Fikeni

A brief study in white suburban fears: Diane Victor’s ‘One Pound of Flesh’

Joana Choumali, Hââbré, the last generation Series, 2015, Photographic print
A story by

Listings Editor

2016 FOURTHWALL BOOKS PHOTOBOOK AWARD

A feature by

Tim Leibbrandt

Cape Town Art Fair: ArtThrob interviews director Matthew Partridge “I really think that it’s...'

A feature by Sue Williamson

Sue Williamson’s Diary: People Power

A feature by

Tim Leibbrandt

Immersed in History: Covers and Remixes in Recent South African Art

A feature by Artthrob

Summery Exhibition Summary

A review by Sinazo Chiya

Don’t Stop, Play: @play at Everard Read

Kemang Wa Lehulere Another Homeless Song (for RRR Dhlomo) 1, 2015. Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs
A feature by Artthrob

Best of the Year: ArtThrob’s lists

A review by Kira Kemper

Brave, Resourceful and Current: newworkfifteen

A review by Mary Corrigall

Intersections in Germany: Colleen Alborough’s ‘Joburg’

A review by Thuli Gamedze

The Contradictions of Living in the Past: Lizza Littlewort at 99 Loop

A news item by

Chad Rossouw

Lwandile Fikeni wins Arts Journalist of the Year

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Design by Blackman Rossouw

Sue Williamson, Amien Hendricks at the seven steps, District Six, 1981. Pigment inks on archival cotton paper, 50 x 67.5 cm

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