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Terence Nance, You and I and You, 2015. Single Channel video, Duration: 07 min 52 sec
A review by

Tim Leibbrandt

Both Uncanny and Marvellous: ‘Fantastic’ at Michaelis Galleries

A feature by Sue Williamson

Sue Williamson’s Diary: New York and Savannah

Nicole Weniger, The Unknown, 2014
A review by Isabella Kuijers

Space Blankets and Selfie-Sticks: Nicole Weniger at Space Between

A feature by

Tim Leibbrandt

Screaming Zuma: Velázquez, Bacon and #feesmustfall

Moses Tladi, The House in Kensington BUndated,Oil on masonite
A review by Nkule Mabaso

A Special Exhibit of horror vacui : Moses Tladi at ISANG

A review by Same Mdluli

Jazz, Institutions and Relevance: Thomas’ ‘Young, Gifted and Black’

A picture collection by

Chad Rossouw

Alterity, Neutrality, Framing, #Feesmustfall

Hairstyle advert, Bree Street, photo: Mpho Matsipa
A feature by Kira Kemper

The Architecture of Hair

Suzanne Duncan/ Dale Washkansky, Leftovers , 2015. Animal bones, dimensions variable
A review by Thuli Gamedze

Whose ‘Death Speaks’?

A review by Lloyd Pollak

Colour, Blur, Memory: Kate Gottgens’ ‘Infinite Loop’

A feature by

Chad Rossouw

Intermedia and Social Critique

Candice Breitz, Her,1978-2008. Seven-Channel installation Duration: 23 minutes, 56 seconds
A feature by

Tim Leibbrandt

Meryls, Jacks and reading across artworks: in conversation with Candice Breitz

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Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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