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Review

A review by Tim Leibbrandt

Borgesian Beauty: Kyle Morland’s ‘variations on a lofted bend’

A review by Misha Krynauw

Mutual Mourning: FAITH XLVII’s ‘CHANT’

A review by Ashraf Jamal

Productive Anxiety: Christiaan Conradie’s ‘Against A Narrow Heart’

A review by Barnabas Ticha Muvhuti

Restorative Nostalgia: Joël Mpah Dooh’s ‘Stories to Tell’

A review by Tymon Smith

Platform Visibility: ‘Photographs in Our Mother Tongue’ at Standard Bank Gallery

A review by Fadzai Muchemwa

A History of Disruption: Helena Uambembe’s ‘Commander Nel’s Archive’

A review by Michael Smith

Glimpse the Machinery: Deborah Poynton’s ‘Proverb’

A review by Gemma Hart

Undulating Edges: ‘Emergence’ at FORMS Gallery

A review by Nkgopoleng Moloi

Wetting and Drying: ‘Fathom’ at Goodman Cape Town

A review by Noah Swinney

Violence Turned In : Penny Siopis’s ‘Shame’

A review by Nikita Keogotsitse

Discovery rather than creation: Bonolo Kavula’s ‘sewedi sewedi’

A review by Vusumzi Nkomo

History is happening: ‘The thing itself exists everywhere’ at blank projects

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Design by Blackman Rossouw

Lauren Palte, Untitled (after Rembrandt). Hand-print on fibre paper, 37.2 x 28.9 cm

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