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Review

A review by Emily Freedman

Making & Remembering: Aaron Philander’s ‘Nanna’s Kitchen’ at AVA Gallery

A review by Christa Dee

Reflections on City Life: Three Highlights from the RMB Latitudes Art Fair

A review by Emily Freedman

To Mirror Unreality: Yolanda Li’s ‘Turning and Turning’ at Lemkus Gallery

A review by Lukho Witbooi

There’s something I must tell you: Sue Williamson’s retrospective at the Iziko South African...'

A review by Zada Hanmer

In Communion: Nolan Oswald Dennis’ ‘UNDERSTUDIES’ at Zeitz MOCAA

A review by Nolan Stevens

Between Folds & Forms: Usha Seejarim’s ‘Unfolding Servitude’ at Southern Guild

A review by David Mann

Unsettled landscapes: Simphiwe Ndzube’s ‘iNtwasahlobo’

A review by Nkgopoleng Moloi

Hosanna hodimo: ‘Faustus in Africa!’ by William Kentridge & Handspring Puppet Company...'

A review by Jelena Sofronijevic

Dreams & Revelations: Portia Zvavahera’s ‘Zvakazarurwa’ at Kettle’s Yard,...'

A review by Nkgopoleng Moloi

Anti-Contemporary: A round up of the 12th Investec Cape Town Art Fair

A review by Minna Dundas

Made with Love: ‘Follies in the Veld’ (FITV) at The Ramp

A review by Georgia Munnik

Scars of the Land: ‘Destruction, Resilience, Namaqualand’ at AVA Gallery

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Claudette Schreuders, The Bystander 2. Lithographic print on cotton rag paper, 38 x 55.5 cm

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