• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Review

A review by Jose Luis Mendonca

Across The Atlantic: the 35th Bienal de São Paulo’s ‘choreographies of the impossible’...'

A review by Mosa Molapo

On Being: ‘Reflections: on Black girlhood’ at The Market Photo Workshop

A review by Vusumzi Nkomo

Art and Other Actions: The circulation of excess in Paulo Nazareth’s ‘INTLANZI’

A review by Keely Shinners

Mutants, Matronae and Monsters: Pélagie Gbaguidi’s ‘The Colours are the Bark’

A review by Ashraf Jamal

Undivided Divinity: ‘Willem Boshoff: Assemblage and Collage’ at the Villa-Legodi Centre for...'

A review by Misha Krynauw

Divine Histories: Lady Skollie’s ‘GROOT GAT’ at Norval Foundation

A review by Zada Hanmer

Collective Memory: Sue Williamson’s ‘Short Stories in a Longer Tale’

A review by Margot Dower

Opening the Archive: Gavin Jantjes at Whitechapel Gallery

A review by Georgia Munnik

Echoes of the Past: Untold Intimacies in ‘Seasons of Longing’ Film

A review by Ashraf Jamal

Spirits on a Human Path: ‘Ecospheres’ at the Joburg Contemporary Art Foundation

A review by David Mann

Sentimental assemblages: Stephané Conradie’s ‘Wegwysers deur die Blinkuur’

A review by Voni Baloyi

The People’s Painter: Esther Mahlangu’s ‘Then I Knew I Was Good at Painting’...'

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Ashley Walters, Construction. Giclee print on cotton rag, 29.7 x 42 cm

Buy

Great

Art