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Review

A review by Scott Eric Williams

Methodologies of Creative Practice: ‘Still Life & Life Drawings’ at ISANG

A review by Keely Shinners

What being looked at feels like: ‘About Face’ at Stevenson

A review by Misha Krynauw

Emboldened Conversations: ‘KWAAI’ at Eclectica Contemporary

A review by Keely Shinners

Towards a Queer Liturgy: ‘Sunday Service’ at GUS

A review by Nkgopoleng Moloi

Planted Knowledge: Uriel Orlow’s ‘Theatrum Botanicum’

A review by Dave Mann

A Spine Immersed in Water: Ernesto Neto’s ‘One Day We Were All Fish and The Earth’s...'

A review by Thuli Gamedze

In the Between: Sam Nhlegethwa’s ‘Waiting’

A review by Keely Shinners

Living, Breathing Past: ‘Not the Usual Suspects’ at ISANG

A review by Nolan Stevens

An Illumination of Self: ‘Continuing Conversations’ at UJ Gallery

A review by Ashraf Jamal

AKAA: Reflections on African Art and Sepideh Mehraban’s ‘Cape to Tehran’

A review by Nicola Kritzinger

The Troubles of the Neck: William Kentridge’s ‘Kaboom!’

A review by Amie Soudien

What lies beyond: ‘9 More Weeks’

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Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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