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Review

A review by Ashraf Jamal

Rewired Materiality: Rowan Smith’s ‘Dead Centre’

A review by Misha Krynauw

Awakenings: Amalgamations of Lionel Davis

A review by Keely Shinners

Intimacy or Darkness: ‘Close Encounters’ at Smith

A review by Courtney Drysdale

Uncanny Nostalgia: Igshaan Adams’ ‘When Dust Settles’

A review by Philiswa Lila

Partly here: Nourhan Maayouf’s ‘The Sea is Closed: Shallow Waters’

A review by Nolan Stevens

Hidden Soliloquys: Jabulani Dhlamini’s ‘iQhawekazi’

A review by Lucienne Bestall

Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun

A review by Tymon Smith

Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’

A review by Ashraf Jamal

Masterful Visceral: Lungiswa Gqunta’s ‘Qwitha’

A review by Monique Pelser

Complicit Abstraction: Penny Siopis’ ‘This is a true story’

A review by Misha Krynauw

Connection in the Age of Connectivity: Dada Khanyisa’s ‘Bamb’iphone’

A review by Isabella Kuijers

Smoke Gets In Your Eyes: Lisa Brice at Tate Britain

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