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Review

A review by Michael Smith

Surrealism and the Self: Chris Soal’s ‘Orbits of Relating’

A review by Scott Eric Williams

Throwing Shade: ‘Shady Tactics’ at SMAC

A review by Nolan Stevens

No Less Good: ‘Desert’ at the Centre for the Less Good Idea

A review by Kopano Maroga

Material Meditations: Nicholas Hlobo and Cinga Samson’s ‘Umthamo’

A review by Nicola Kritzinger

No Heroes Outside: Broomberg & Chanarin’s ‘Bandage the knife not the wound’

A review by M Thesen Law

Fragments on Belinda Blignaut’s ‘Thrown’

A review by

Chad Rossouw

Restless Optimism: Ashraf Jamal’s book ‘In the World’

A review by Isabella Kuijers

Filling the Void: Zander Blom’s ‘Posters and Paintings’

A review by Lucienne Bestall

Repetition Fatigue: Dan Halter’s ‘Patience Can Cook a Stone’

A review by Tymon Smith

Beauty and Destruction: Matthew Hindley’s ‘Survey of Risk’

Fanie Buys, Anyway this is Wonderwall, 2017. Oil on canvas
A review by Lloyd Pollak

Funny Not Funny: Fanie Buys’ ‘This Man’

A review by M Thesen Law

Professional Confessional: Banele Khoza’s ‘LOVE’

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