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Review

A review by Chris Thurman

Fleeting Traces: Thierry Oussou’s ‘Before It Is Completely Gone’

Candice Breitz 'Love Story' | Installation view: Goodman Gallery, Johannesburg
A review by Nicola Kritzinger

Profiling: Candice Breitz’ ‘Love Story’

A review by Tymon Smith

Ties That Bind: ‘I Am Because You Are: A Search For Ubuntu’ at the Standard Bank Gallery

A review by Scott Eric Williams

Anatomy of (Collective) Apathy: Blessing Ngobeni’s ‘Enemy of Foe’

A review by Lucienne Bestall

Pretty Vacant: ‘New Romantics’ at Barnard Gallery

A review by Nolan Stevens

Binary Coded: ‘POSTDIGITAL’ at Kalashnikovv

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

A review by Isabella Kuijers

Not Blue Enough: Ghada Amer & Reza Farkhondeh’s ‘Love is a Difficult Blue’

A review by Kopano Maroga

The Crown Ain’t Worth Much but I Got It from My Momma: Athi-Patra Ruga’s ‘Queens in Exile’

Masixole Feni Cape Town: A pool of water reflecting shack houses after a heavy rain over the Weekend, in Mfuleni Informal Settlement, 2015
A review by Nolan Stevens

Amplified Eye: Masixole Feni’s ‘Drain on our Dignity’

A review by Tymon Smith

Action/Reaction: John Murray’s ‘Aftermath’

A review by

Tim Leibbrandt

Resin and Wonder: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’

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