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Review

A review by Zada Hanmer

Revelling in Love and Joy: Shine Shivan’s ‘Basant’ at Stevenson

A review by Keely Shinners

Encroaching on Eden: Spier Light Art 2024

A review by Julia Snowball

Language in Sculpture: Anna Van Der Ploeg’s ‘Shorter this time’

A review by Zada Hanmer

Commodified terror: ‘Fear Fokol’ at The Bag Factory

A review by Mario Pissarra

Finding a Way: Thami Jali’s ‘Mphendla Ndlela’ at KZNSA Gallery

A review by Misha Krynauw

Unearthing Layers: Chris Soal’s ‘Surface Tension’

A review by Georgia Munnik

Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’

A review by Artthrob

Ruminations on the passage of time: Stevenson’s ‘I miss myself the most.’

A review by Misha Krynauw

A Blooming Ideology: Manyaku Mashilo’s ‘An Order of Being’

A review by Julia Snowball

The Transience of Time: Zayaan Khan’s ‘A Practice in Light and Death’

A review by Ben Albertyn

The Walking Cure: Infecting the City 2023

A review by Georgia Satchwell

Protagonists in blue: Lisa Brice’s ‘LIVES and WORKS’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Hentie van der Merwe, Bijimer groups. Set of 4 Lambda prints, Each: 25 x 25 cm

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