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insight_

A review by Ben Albertyn

Convivial Tools: Khanya Mashabela’s ‘Common’

A review by Kim M Reynolds

Story and symbol: Faith Ringgold and Hank Willis Thomas’ ‘Freedom is Going Home’

A review by M Thesen Law

Process and practice: blank’s ‘IO’

A review by Nkgopoleng Moloi

Building worlds: ‘Juxtapositions: David Goldblatt and Unathi Mkonto’

A review by Ben Albertyn

Tell it slant: Kasia Stefańczyk and Johno Mellish at THK

A feature by Thuli Gamedze

The System Turn in Joburg Contemporary Art: Part II

A review by Ben Albertyn

The Thick of Things: Archive of Forgetfulness

A review by Misha Krynauw

A home of heavens: Shakil Solanki’s ‘The Pearl Fishers, Reprised’

A feature by Dinika Govender

Art as a rite of passage: ‘Portable Paradise’ at LAPA

A feature by Keely Shinners

In praise of studio visits: FEDE’s ‘Open Studio’

A feature by Sean O'Toole

We are here now: South African artists make their mark in Chicago

A feature by Ruth Sacks

Archive Dive: Ruth Sacks on the Trienal de Luanda

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