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insight_

A review by Nkgopoleng Moloi

Reparative sublation: Lungiswa Gqunta’s ‘Sleep in Witness’

A review by Ben Albertyn

Unserious Art: Notes on the Cape Town Art Fair

A review by Vusumzi Nkomo

Notes on precarity: Kemang Wa Lehulere’s ‘Bring Back Lost Love’

A review by Misha Krynauw

Pages as conduits: Dominique Cheminais’ ‘Things Done While Dreaming’

A review by Nkgopoleng Moloi

Pleasurable and sensory: ‘Seeds of the Fig’

A review by Barnabas Ticha Muvhuti

Foreground subaltern voices: Mapula Embroideries’ ‘Hands Become Voices for Our Planet’    

A feature by Vusumzi Nkomo

The Ruse of Possibility: ‘A Different Now is Close Enough to Exhale on You’

A review by Sonya Solanki

Grounding & generative: ‘Process’ at FEDE Arthouse

A feature by Artthrob

Best of 2022: Contributors’ picks

A feature by Artthrob

Breaking Down the Walls: A Walkabout with Andrew Lamprecht

A review by Ashraf Jamal

Fresh and abuzz: ‘New Day’ at Graham Contemporary

A review by Annabelle Wienand

Contemplating the monumental: Ledelle Moe’s ‘Fold’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Richard Mudariki, Grilled, 2014. Chine-colle etching, 34 x 41 cm

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