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insight_

A review by Athi Mongezeleli Joja

Resubjugating the Black Body: A Review of Steven Cohen’s ‘Magog’

A feature by ArtThrob Editors

Inspired by Children: Five Questions with Shade Director, Tamzyn Botha

A review by Luca Evans

The Dog Is Chasing Its Tail: Tshepo Sizwe Phokojoe’s ‘The Gods Must Be Crazy’

A review by Tiyani Rikhotso

Precarious Times: Svea Josephy’s ‘Cities of the Future – In the Past’

A review by Lukho Witbooi

Signposts to Personality: Sthenjwa Luthuli’s ‘Umkhangu/Birthmark’ at the Norval Foundation

A feature by Nkgopoleng Moloi

Feminist Technoscience Critique: An Interview with Mindy Seu

A feature by ArtThrob Editors

Five Questions: Hamzeh Alfarahneh, curator of ‘By the Movement of All Things’

A feature by Nkgopoleng Moloi

The Journey Continues: Irma Stern Museum Public Consultation

A review by Nkgopoleng Moloi

To imagine a beautiful life as possible: ‘A Funeral For…’ by Zara Julius in collaboration with...'

A review by Nolan Stevens

Those who can: ‘IMPACT is a verb’ at FADA Gallery

A review by Zada Hanmer

Caught in the Matrix: ‘Force Majeure’ at Vela Projects

A feature by Nkgopoleng Moloi

Bathing in Paradox: An Interview with Athi-Patra Ruga

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Dan Halter, On Exactitude in Science. Woven archival prints on Ivory Enigma paper, 28 x 19 cm

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