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Joël Mpah Dooh, Since We Last Met, 2016. Installation View: Gallery MOMO, Johannesburg
A review by Tymon Smith

Time Waits for No One: Joël Mpah Dooh’s ‘Since We Last Met’

A review by Felix Kawitzky

Kiss Kiss (or, The Void Vores Back): Frances Goodman’s ‘Degreened’

Simphiwe Ndzube, Inevitable Journey to Mars I, 2016. Acrylic paint on perspex print, 120 x 240 cm
A review by Nkule Mabaso

Perched at the edge of Precarity: Simphiwe Ndzube’s ‘Becoming’

A review by Isabella Kuijers

Polysemic Seas: ‘Liminal Geographies’ at Barnard Gallery

Josie Grindrod at the Irma Stern Museum, Cape Town
A review by Anna Stielau

Rolling Lawns and Exorcisms: Josie Grindrod’s ‘Last Light’

Athi-Patra Ruga performing Over the Rainbow. Photo courtesy Elise Swain
A review by Vincent Bezuidenhout

Makube Njalo: Athi-Patra Ruga’s ‘Over the Rainbow’

Kevin Atkinson, Horizon Doing, 1977. Oil on canvas, 167,5 x 244 cm
A review by Lloyd Pollak

The Many Atkinsons: Kevin Atkinson’s ‘Re-opening Plato’s Cave’

Kyle Morland, assemble, 2016. Installation view: blank projects, Cape Town
A feature by

Tim Leibbrandt

Departures and Unlearning: In conversation with Kyle Morland

A review by Siobhan Keam

In Context: Frieze London and 1:54

Lungiswa Gqunta, Divider, 2016. Mixed media installation (knotted fabric, and beer bottles), approx. 210 x 700 x 340cm
A feature by Houghton Kinsman

Playing with fire: Conversations with Lungiswa Gqunta

Thomas Cartwright We Got Nothing Much To Lose, 2016. Oil on Board
A review by Isabella Kuijers

Fading Light: ‘Nocturne’ at Everard Read

Zanele Muholi 'Faces and Phases 10' (2016) | Installation view: Stevenson, Johannesburg
A review by Gontse Mathabathe

Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’

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Ashley Walters, Construction. Giclee print on cotton rag, 29.7 x 42 cm

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