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A news item by Artthrob

News Roundup: 24 February 2022

A review by Vusumzi Nkomo

Notes on precarity: Kemang Wa Lehulere’s ‘Bring Back Lost Love’

A review by Misha Krynauw

Pages as conduits: Dominique Cheminais’ ‘Things Done While Dreaming’

A story by Artthrob

Curating albums: An interview with Sean O’Toole

A review by Nkgopoleng Moloi

Pleasurable and sensory: ‘Seeds of the Fig’

A news item by Artthrob

News Roundup: 27 January 2023

A review by Barnabas Ticha Muvhuti

Foreground subaltern voices: Mapula Embroideries’ ‘Hands Become Voices for Our Planet’    

A feature by Vusumzi Nkomo

The Ruse of Possibility: ‘A Different Now is Close Enough to Exhale on You’

A review by Sonya Solanki

Grounding & generative: ‘Process’ at FEDE Arthouse

A story by Artthrob

In and Out of Time: An interview with curators Natasha Becker and Mariella Franzoni

A feature by Artthrob

Best of 2022: Contributors’ picks

A feature by Artthrob

Breaking Down the Walls: A Walkabout with Andrew Lamprecht

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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