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A news item by Artthrob

News Roundup: 16 December 2022

A review by Ashraf Jamal

Fresh and abuzz: ‘New Day’ at Graham Contemporary

A review by Annabelle Wienand

Contemplating the monumental: Ledelle Moe’s ‘Fold’

A review by Lindiwe Mngxitama

Inbetweeness, self-(re)invention and unease: ‘Modernist Identities in the Global South’ at...'

A feature by Setumo-Thebe Mohlomi

Rainmaker’s final deluge: The life and work of Samson Mnisi

A review by Misha Krynauw

Songezo Zantsi’s ‘IINKUMBULO’

A news item by Artthrob

News Roundup: 25 November 2022

A feature by Lukho Witbooi

Self and Soul: An interview with Yinka Shonibare CBE RA

A review by Clare Patrick

Fragments and threads: Pippa Hetherington’s ‘Interlaced’

A review by Georgia Munnik

Wonders about the weight of Sundays: Dorothee Kreutzfeldt’s ‘the secret harpist’

A review by Thuli Gamedze

ghouls, guts, dust: donna Kukama’s ‘Ways-of-Remembering-Existing’

A news item by Artthrob

News Roundup: 4 November 2022

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