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A feature by Ashraf Jamal

Segue In Blue: on Nelson Makamo’s Blue Series

A review by Lindsey Raymond

To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson

A story by Artthrob

Investec Cape Town Art Fair Digital Event Coming in September

A review by Barnabas Ticha Muvhuti

Return to source: Pyda Nyariri’s ‘Artist Room’

A review by Noah Swinney

Among the Asphodels: Bronwyn Katz’s ‘ I turn myself into a star and visit my loved ones...'

A review by Nkgopoleng Moloi

Beauty and Prisons: ‘I have made a place’ at Norval Foundation

A review by Isabella Kuijers

Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery

A review by Olga Speakes

Impossible Encounters: ‘Territories Between Us’ at ISANG

A review by Anna Stielau

The Difference Between Losing and Getting Lost: Willem Boshoff’s ‘Word Woes’

A feature by Barnabas Ticha Muvhuti & Fadzai Muchemwa

Veiled Social Commentary: Wezile Mgibe’s ‘Umdiyadiya’

A review by Catherine Rudolph

Screening Connectivity: ‘Not Angels or Algorithms, Only Human Error’ at WHATIFTHEWORLD

A feature by Vusumzi Nkomo

Black & Blue: On Khanyisile Mawhayi and Sabelo Mlangeni

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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