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A review by Keely Shinners

Towards a Queer Liturgy: ‘Sunday Service’ at GUS

A review by Nkgopoleng Moloi

Planted Knowledge: Uriel Orlow’s ‘Theatrum Botanicum’

A picture collection by Artthrob

Art-Binge: Grad Show Edition 2018 [Wits and Rhodes]

A picture collection by Artthrob

Art-Binge: Joburg, November/ December 2018

A review by Dave Mann

A Spine Immersed in Water: Ernesto Neto’s ‘One Day We Were All Fish and The Earth’s...'

A review by Artthrob

Investec Cape Town Art Fair 2019 Announces TOMORROWS/TODAY Artists

A review by Thuli Gamedze

In the Between: Sam Nhlegethwa’s ‘Waiting’

A picture collection by Artthrob

Art-Binge: Joburg, September/October 2018

A review by Keely Shinners

Living, Breathing Past: ‘Not the Usual Suspects’ at ISANG

A feature by Tymon Smith

Old Masters / New Realities and the Future of TMRW Gallery

A feature by Misha Krynauw

The Masses Are Not Being Listened To: In conversation with Sam Nhlengethwa

A feature by Khanya Mashabela

Seeing Gifts and Stolen People: In conversation with Mmakgabo Mapula Helen Sebidi

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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